The Rebirth Of American musical comedy Theatre deuce coarse writers of American musical theatre, Richard Rodgers and Oscar Hammerstein II, had one idea in common. They valued to present to the American public a saucily and extremist musical that would stand out above the rest. They wanted to shake off an impact on the societies of the era. They wanted to be creative and do something that was considered rebellious. When they finally combined their ideas to communicateher they created an American chef-doeuvre in musical theatre: Oklahoma!. It was the first Rodgers and Hammerstein collaboration, st deviceing the roughly successful creative p dodgenership in the archives of American musical theatre.
According to Joseph Swain in his book The Broadway musical: A Critical and Musical Survey, there are a number of reasons why a particular work of art might be considered a milestone in the news report in its genre. It might introduce innovations of technique and style so convincing that they may become extremely influential. ...If you want to drop dead a full essay, order it on our website:
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