Cooperate recruitment and selection policies Essay

Cooperate recruitment and selection policies - Essay Example The strategy behind recruitment is to come up with a group of competent, skilled and experienced individuals. Another important aim is to cut on personnel cost. Employing inappropriate individuals is costly to the organization. In an organization, recruitment policy helps to establish the possible outcome prior to a successful recruitment process. The process involves looking into the position to be filled and determining the appropriate candidate to fill it. This will require proper outlined job description and person specification. In addition, organizations goals are analyzed. Recruiting process involves the following; preparation, by carefully examining recruitment. Secondly, decision is made on who will conduct the process. Thirdly, the employee is sourced using various ways which include, advertising the job position, using consultants and even online through the internet. Fourthly, organizations need to accomplish legislative obligations, and finally application methods to be used are determined before hand. Recruitment and selection process involves several considerations, which include; Organization to conduct appropriate planning and estimation to come up with the duties, which the candidate appointed to fill a position, will be required to perform. Secondly, the organization will come up with a group of individuals for the vacant positions in the organization by conducting recruitment process of internal or external candidates. Thirdly, each individual fills application forms. The fourth step is whereby different selection methods are applied in order to identify appropriate candidates. These methods include conducting various tests, investigating ones background, and using set psychological exams. Fifthly, the selected candidates meet the organization manager who is responsible for that particular job. Finally, the manager and other members of the organization conduct selection interviews. The manager will

United Nations Environmental Program Essay Example for Free

United Nations Environmental Program Essay There are a lot of articles, books and essays that have been written, touching on the relationship that land has with agricultural practices. For instance, Helmut Geist and Lambin Eric in their essay make postulations that irresponsible agricultural practices have been responsible for the disappearance of tropical forest covers, both at the local and regional levels. The two, being postdoctoral researchers in geography, specializing in the field of global climatic change, posit that irresponsible agriculture is far much responsible for the concept of land use and land cover change (LUCC). To back this argument up, Helmut and Lambin elucidate on the matter, postulating that irresponsible agriculture negatively affects the LUCC than any other practice carried out within the auspices of human civilization. To bolster this notion, it is posited by the two that apart from the fact that agricultural activities has the potency to deliver negative environmental degradation, irresponsible agriculture has the ability to deliver soil erosion- a feat that environmental degradation cannot receive from the industrial sector and its pollution. Evidence Presented The strengths in these claims are that farming and irresponsible agriculture has in most times been blamed for soil degradation. Much evidence is adduced and presented by Helmut and Lambin in this work. For instance, Helmut and Lambin quote the United Nations Environmental Program 2004 statistics that indicate that tilling land that is on a hill and failure to build gabions have in most instances been blamed for over 75% of cases touching on soil erosion (Levine 2006). In another wavelength, it is true that irresponsible farming activities harms the soil when very strong inorganic fertilizers are used, making the soil become resistant to fertilizers and pesticides. Weaknesses Critics such as Geist (2006) point that there are pitfalls in this work that was presented by Helmut and Lambin. For example, in the first case, not all the adverse effects of irresponsible farming practices are dealt with herein. For example, there is no point on the role overstocking (of animals) plays towards soil erosion and the depletion of the scarce resources within the environment. Nevertheless, it is true that all the above factors contribute to the disappearance of the land cover. Assumptions made by the writers At the same time, there are some assumptions that Helmut and Lambin make. Assuming that keeping the right size of cattle, building gabions, using the right quantities of organic fertilizers and pesticides are the only panacea in themselves against the spread of the loss of fertile land is a fallacy on its own. On the contrary, the two forget to address important farming practices such as the growing of leguminous crops, crop rotation and fallowing of land, as being instrumental in the cause against soil erosion. Growing leguminous crops such as beans help in nitrogen fixing in the soil, whereas crop rotation and mixed cropping helps the land receive nutrition from different types of crops. Letting land lay fallow on the other hand, enables the revitalization of pedological energy and the recovery of humus. These are the counterarguments that have been put forth by other critics such as Singh and Fox (2001). Conclusion and importance of the problems and the argument being tackled The sacrosance of the argument at hand is that there is a serious interrelationship between LUCC and human life. This means that mismanagement of the former has the potency to ruthlessly damage the cause of human life. It is no wonder that calls are rife from UNEP for the leading economies to tow the line in ensuring that there is the assuaging of soil, water and air pollution so that the prospects of future human survival can be consolidated. Works Cited Singh, Ram and Fox, Jefferson. A Look at Land Use and Cover Change. New York: McGraw Hill. 2001. Geist, Helmut. A Study on Earth’s Changing Landscape. Colorado: John Wiley and Sons. 2006. Levine, Joel. Global Change and the Burning of Biomass. Massachusetts: Massachusetts Institute of Technology. 2006.

A Post Rock Analysis Media Essay

A Post Rock Analysis Media Essay In the year of 1994 highly acclaimed music critic Simon Reynolds was embraced for fabricating the term Post-Rock in the popular modern music magazine The Wire. He defined the term post rock as using rock instrumentation for non-rock purposes and using guitars and facilitators of timbre and textures rather than riffs and power chords. From this moment onwards the genre began to expand with the immersion of various Post Rock artists slightly differing in style. In the remainder of this essay, I aim to explain what the complex genre of Post Rock is, how it began, how it developed and most importantly, what sets it aside from traditional rock and roll. With the emergence of countless pop artists at the start of the 1990s such as Rick Astley and Mariah Carey many journalists and critics alike labelled the 90s as the death of rock and roll. However the introduction of Post Rock seemed re-invent rock music in a totally different form. Post rock was something totally different and was seen as a breath of fresh air to the music industry. Everyone knows that numerous groups of musicians struggle to find a suitable vocalist, and this was one of the main reasons for the beginning of post rock. Post rock is largely instrumental with any included vocals normally being sample and effect based. In this genre freedom is basically unlimited; this is why many post rock acts sound very different in style. For instance Don Caballero and Tortoise who were seen as founders of the post rock movement bare very little similarities. The main idea behind post rock was to totally ignore traditional musical structures and concentrate on throwing various creative ideas to produce a piece rather than a track. Due to the total dis-regard of verses and choruss, the motif of each piece will normally build up over the duration, normally reaching a climatic stage at the end. Post rock artists admittedly took a lot of influence from the velvet underground and their implementation of the musical technique; dronology. Dronology is the use of repeated sounds or notes. Post rock uses an extensive range of instruments, stretching from traditional rock and roll instruments, to brass to a diverse sweep of electronic instruments and samples. Post-Rock is probably dependent on the effects that are implemented on nearly every instrument, basically making a guitar sound nothing like a guitar. Post Rock has changed throughout its current 20 year timeline, as its believed we have endured 3 waves of post rock material. However, from the very beginning of the post-rock movement nearly all artists follow The DIY conception. This means that artists will have not contracts or sponsorship from famous and corporate labels. A majority of their work is produced and distributed by the band themselves with the help of other post rock bands. The belief of the DIY conception is that if music becomes accessible to expensive labels the artists will be stripped of their creativity and freedom. During the lifespan of the post-rock genre we have been spiked with 3 waves. The first wave of this genre included acts such as Slint, Tortoise and Talk Talk. These artists are seen as being architects of the genre that gave post rock the foundations to grow further. However, not entirely post rock; this was the start of the genre. The Album entitled Spiderland by Slint is seen as many as the birth of post rock. Released in 1991 this album contained various features that were unheard of in traditional rock music. Such as, no singing vocals, all vocals being spoken similar to a narrator building up a story as the song continued. Drummers working with totally irregular time signatures and basing all their beats and fills on the snare and tom drums, totally abandoning the use of cymbals. Guitarists creating tones rather than riffs, and also implementing of the technique howling feedback. Many bands took influence from this album, including post rock mainstays, Mogwai. Another essential post rock release was à gà ¦tis byrjun in 1999 by Icelandic band Sigur Ros. This album help shaped the genre as it showed listeners that post rock could branch off into other genres, as this album was seen as being ambient post rock. Sigur Ros produced this effect with various musical techniques. The main technique they used was playing guitars and bass guitars with a bow rather than plucking on strumming. This technique helped produce a very atmospheric effect which added to the overall ambient sound. The band continued the idea of minimal vocals when they produced theyre own gibberish language entitled Volenska. This is an Icelandinc take on the old jazz technique that was dubbed scat singing. Sigur Ros are seen as being definers in the second wave of post rock. Soon after à gà ¦tis byrjun came the release of Lift Yr. Skinny Fists like antennas to heaven by Canadian artists Godspeed You! Black Emperor. This album as seen by many fans and critics alike as the most definitive post rock release to date. This album combines various musical concepts such as chamber music, minimalism, drone and of course crescendos. As well as covering a lot of concepts, it also covers many genres such as rock, ambience, jazz and classical. Following Post-Rock trends the album has no tracks as such, but 4 pieces which last a total of one hour and twenty minutes, these pieces are named movements. Also, as before, no vocals except one movement which uses sampled inserts. The start of the 3rd wave of Post Rock was started with the album Mirrored By Battles. The bands consists of Ex-Members from other post rock groups such as Don Caballero, who helped pioneer the genre. Mirrored started to using a lot of math rock as well as post rock in this album, it is also described by many as having a weird alien sound. Along with Mogwai, Battles were one of the first to start doing this. Battles re-invented post rock to some extent with new techniques such as the introduction of beatboxing. However they also continued other post rock trends such as effect driven vocals which sound like gibberish. Scottish band Mogwai have cemented themselves as principal artists within post rock genre due to the release of 6 well received studio albums. Mogwai have been vital in the development of the genre as they have influenced bands as far a field as China as Chinese post rock Wang Wen claim to be influenced by them. American rapper/singer/songwriter Jared Evans also claims to be influenced by the Scottish post rock mainstays. Although Mogwai are in theory a post rock band, they branch off into other genres such as math rock, shoegazing, art rock and even metal. This showed us that post rock could take various paths and this helped development the genre as it heightened up and coming bands ideas. The bands influences mainly come from punk. Bands such as Fugazi, Sonic Youth and the MC5 are said to be among the bands main influences, and of course like many other bands of this genre, they were influenced by Slint. Their tracks are normally long instrumental pieces focusing on guitar and mel odic basslines with heavy breakdowns with metal properties. Due to metal properties the band has, they have a heavy usage of effects, with distortion and overdrive taking centre stage. Mogwai were another band the follow the DIY conception rule within the post rock genre by having their first album signed by independent record label Chemikal Underground in Glasgow, Scotland in 1997. Lyrics are a real comfort to some people. I guess they like to sing along and when they cant do that with us they get a bit upset. This line by Stuart Braithwaite, the guitarist of Mogwai. The line does a good job of explaining the acquired taste of Mogwai and Post-Rock in general. This is why Post-Rock was stuck in the underground bracket for sometime. Another band who has had great critical acclaim within the genre is Godspeed You! Black Emperor. The band from Canada influenced by Tortoise and Slint have released 5 albums since 1994. Even tough the band has 9 solid members; they have had as many as 20 members on the stage at once. The band use various techniques and concepts such as drone, minimalism, chamber music, music concrete and sampling. Also the band totally dis-regards any vocals except sampled inserts. As said before, the band have undertaken many changes, covering genres such as post rock, experimental rock, ambient, jazz and traditional rock. Once again the band follows the DIY conception as they produce theyre albums through a small independent record label in Montreal, Quebec. Perhaps the most important articles regarding the genre was the description of the band Bark Psychosis where the term was first properly coined. Simon Reynolds described Post Rock as using rock instrumentation for non rock purposes using guitars as facilitators of timbre and textures rather than riffs and power chords. Simon further expanded on the term stating that perhaps the really provocative area for future development liesà ¢Ã¢â€š ¬Ã‚ ¦ in cyborg rock; not the wholehearted embrace of technos methodology but some kind of interface between real time, hand on playing and the use of digital effects and enhancement. This description helped drive the genre forward as other artists started being labelled Post-Rock and listeners started understanding what the music was. It describes the balance of electronic effects to hands on traditionally rock instruments. Even today, some original post rock albums from the early 90s are still receiving sparkling reviews. From a review in 2010 from music website Sputnik Music, Spiderland by Slint is said as being classic and received a 5/5 rating. The journalist continued to explain You can ask me to explain why I love it, or why it works, or the situational context in which it was created. Just dont ask me how they did it. Please, just listen. This shows that original Post-Rock artists will continue to have a positive affect on those who are listening to it from the first time, and who dont quite understand it yet. There are various sources online which help with the understanding of the complex genre. Such as www.postrocking.org which is a post rock radio streaming website, which lets up and coming artists submit their tracks. It also contains a popular forum where fans can share their views. Also killwhat.com which is French fanzine company which cover and cater for post rock fans. One main entity of post rock bands is that to grab media attention, they usually have strange band or album names. For Example Godpseed You! Black Emperor and their album Lift Yr Skinny Fists like Antennas to Heaven. Other examples of this are bands such as ILiKETRAiNS Meanwhile Back in Communist Russiaà ¢Ã¢â€š ¬Ã‚ ¦.. and I Love You But Ive Chosen Darkness. The list is endless. The strange and abnormal band names partially tie in with the unique and somewhat strange sounding music they produce. I have included 3 Audio files with the essay. The first track being Nosferatu Man. This shows what the birth of post rock was like and how it was essential. It also shows how vocals were in a narrator style and how the time signatures were irregular and ever changing, as the song switches from 5/4 to 6/4 to 4/4. The track also gives a decent idea of the howling guitar sound used by the band. The next track is Christmas Steps by Mogwai. This track pinpoints and shows the soothing melodic side of post rock and also the steady build up to the more aggressive and distorted crescendos. This giving a good insight to what the development and definition of post rock sounds like and how even genres such as heavy metal can have an influence. It also considered a post rock piece as it lasts 10 minutes. The last track is Atlas by Battles. This shows the current state of post rock and how it differs. It lets us hear how effects are implemented more to create an Alien Sound Also how post rock can branch into other genres and while still keeping traditionally ideas such as gibberish vocals, build up sequences, crescendos, tom based drumming and longer track times at seven minutes long. Battles are a good example of keeping traditional ideas but bringing new ideas to the table. Overall, Post Rock is a creative genre which gives artists unlimited freedom. Pioneered by Slint, Defined by Mogwai and evolved by Battles, it seems that its a really complex genre thats tough understand, but it definitely is genre you have to appreciate due to the creativity it requires and its uniqueness. Post rock is still evolving and new artists are still peddling out year after year with many bands producing new styles and techniques. However the roots of Post rock constructed by Slint and Tortoise are still evidently rooted within the music.

Barn Burning :: Literary Analysis, William Faulkner

Sarty's betrayal of his father in William Faulkner's story "Barn Burning" is justified. The reader is introduced to Sarty's father as he is being tried for burning the barn of Mr. Harris. Lacking evidence, the Justice of the Peace drops the charges against Abner Snopes, Sarty's father, and he is ordered to leave the country. A harsh image of Sarty's father is presented in the line, "he [Sarty] followed the stiff black coat, the wiry figure walking a little stiffly from where a Confederate provost's man's musket ball had taken him in the heel on a stolen horse thirty years ago" (2177). The reader is given insight into Snopes' shady past and learns he has never been a law-abiding citizen. Sarty's inner turmoil centers around his sense of loyalty to his father and his own conflict with knowing his father's actions are wrong. Through Faulkner's use of stream-of-consciousness narration, the reader is aware of Sarty's thoughts. In one instance, Sarty alludes to Mr. Harris as "his father's enemy (our enemy he thought in that despair, ourn, mine and hisn both! He's my father!)" (2176). Upon hearing the hiss of someone accusing his father of burning barns, Sarty feels "the old fierce pull of blood" and is blindly thrust into a fight, only to be physically jerked back by his father's hand and his cold voice ordering him to get in the wagon. As the Snopes' family leaves town, Sarty consoles himself with the hope that this will be the last time his father commits the act that he cannot bring himself to even think of : "Maybe he's done satisfied now, now that he has" (2177). Deep down, Sarty knows his father is not going to end his destructive rampage. Ten-year-old Sarty cannot understand the true reasons for his father's actions: "that the element of fire spoke to some deep mainspring of his father's being," and, even more importantly, the fire served as "the one weapon for the preservation of [his] integrity" (2178). Sarty's thoughts when he realizes he might be questioned regarding the barn burning reflect the fear and despair he experiences: "He aims for me to lie. And I will have to do hit" (2176). Later, Sarty's father violently reminds him that blood is thicker than water when he accuses Sarty of being ready to betray him.

Family Albums: A Practical Analysis Essay -- essays research papers

Since their inception in the 1860s, family albums have played an important role as the promoters of familial ideology and treasures of familial memory. ‘Most family photograph albums in containing a great variety of items, both identified and unidentified, from different periods and of varying quality,’ held together by their collective identity with the family (Schoeman, 1996: 8). The function of familial photography is to ‘fix perception and memory, represent a method of preserving memories, document important moments and confirm social relationships and fact of belonging’ (Tobiassen, 1990). When photographs are stored in albums the process ‘resembles the writing of family history’ (Tobiassen, 1990), and are thus a resource constituting an important mnemonic aid in the construction of a family narrative, although Tobiassen omits any thought that the photograph album is probably the closest that most families will ever approach to narrativisin g and transmitting their individual and collective familial experiences for later generations. Early portrait photographers stressed the importance of the photograph as a moral stabilizer for families and the social fabric, "†¦ family photographs sustained sentimental ties in a nation of migrants." (Alan Sekula, 1986) These sentimental ties, especially those produced by viewing photographs of deceased loved ones, enabled families to document their lives as they happened, and to remember those who had predeceased them, thus forming a seemingly cohesive "history" on which to build a nation. Therefore, family photographs can be considered cultural artifacts since they document the events that shape families' lives and so the recording of family history becomes an important endeavor. In many cases, photographs are the only biographical material people leave behind after they die (Boerdam, Martinius, 1980). However, the impact of family photo albums extends beyon d merely recording history. Interpretation of family structures, relationships and self is possible through viewing family photographs. Interpretation of meaning behind photographs assumes that they are a means of communication (Entin, 1979). Much like family storytelling, photographs indicate relationships within and among the family. The family photo album is indeed an easy way to initiate outsiders to family history (Boerdam, Martinius, 1980)... ...separations and sibling rivalries needs to be studied. Historical documents, such as family photographs, can provide essential background information as well as indicate important people and relationships within a story. References Alan Sekula, "The Body and the Archive," 3-64, October, 39, Winter, 1986, p. 8. Boerdam, Jaap and Warna Oosterbaan Martinius. (October, 1980). "Family Photographs - A Sociological Approach," The Netherlands Journal of Sociology, v16, n2, pp. 95-119. Halle, David. (Summer, 1991). "Displaying the Dream: The Visual Presentation of Family and Self in the Modern American Household," Journal of Comparative Family Studies, 22: pp. 217-229. Merz, Caroline. (August, 1988). "Smile, please," New Statesman & Society, v1, n10, p. 42. Tobiassen, Anna Helene (1990) ‘Private Photographic Collections as an Ethnological Source.’ Ethnologia Europaea 20.1. 81-94. Titus, Sandra L. (August, 1976). "Family Photographs and Transition to Parenthood," Journal of Marriage and the Family, 38: 525-530. Trend, David. (February, 1992). "Look who's talking: Narratives of Family Representations," Afterimage, v19, n7, p.8.

Every Child Deserves a Blissful Life. Essay -- child abuse, parents, ab

Most parents and other caregivers do not intend to hurt their children, but the effect on the child defines abuse, not the motivation of the parents or caregiver. Abuse comes in many forms and the statistics prove how alarming the issue is, â€Å"Every year there are 3.3 million reports of child abuse involving nearly 6 million children†.(Source F) It is immensely difficult to imagine what would make adult use violence against a child. Parents have the responsibility to nurture, raise, and discipline an offspring. However, the definition of the term discipline is differently interpreted by parents. Children will misbehave and teaching the difference between right and wrong and not resulting to forms of abuse .Some go to extreme measures to discipline a child, thus creating deep physiological problems. Child abuse needs to be prevented and the government should intrude to insure the safety of the children and of future generations. Caused by different things, abuse comes in many forms and can be preventable. Verbal and emotion abuse often coincide with physical abuse and neglect. â€Å"Child abuse usually starts with a desire for the abuser to have control†. (Source E) In order to gain control with the child the abuser results to violent and abusive tactics. Different people might have different ideas of what a child should experience, do, and become therefore â€Å"Unrealistic expectations of a child†. (Source E) often coincides with forms of abuse. Parents and caregivers take out anger on a child and create an unhealthy environment to live in. Instead of bringing up a child with love and happiness â€Å"This family member, who most likely is supposed to take the role of protector and provider, is instead hurting his or her children physically and... ...ren for the real world parents should bring up their children to respect others, take on responsibilities and treat others kindly. No parent should ever hurt their child and to better protect children at the risk of severe harm, the federal government should stricken child protection laws and work for change. Every child deserves a worry-free life. Children are the future and child abuse prevents kids from growing up in a safe and healthy environment. Discipline is necessary in parenting however a line needs to be drawn where the discipline stops and the abuse begins. Any form of abuse is horrifyingly wrong and needs to cease to a stop. Children need to be protected from the monsters that hurt them. â€Å"1,545 children died as a result of abuse and neglect†. (Source F) There is no need for that many deaths. A child is a child, and that child deserves a happy life.

Strategy Formation and Strategic Change: Barnes&Noble and Amazon

The business sector is becoming more competitive than ever before, and many establishments lean on marketing to stand above the rest, making comprehensive strategies essential to any organization. Under strategy comes two distinct terms, which are often interchanged: strategy formation and strategic change. How are they similar, or different?How are they similar or different in terms of two online reference store giants Barnes&Noble and Amazon? Strategy Formation According to the Process of Strategy Formation (n. d. ), strategy formation includes both planning and implementing the details of the strategy.It requires strategists to answer the what, when, where, why, and how of the strategy that they are brewing. There are two bullet points in forming a strategy: activities and roles. Strategy formation activities are the actions that strategists will undertake throughout the strategic implementation. This includes determining the objectives of the strategy, assessing the strategy, pla nning the actual strategic plan and implementing them. Roles refer to the person or groups of people who take charge on each aspect of the strategy, implementing and controllong them.When Amazon started out, it is generally an online book store, with side products that avid web visitors can buy occasionally. The idea, it seems, was to bring convenience to the reading web consumers. (Amazon. com, 2006) Barnes& Noble on the other hand started out as an online â€Å"education system,† and courses were free. The book store phase comes when students start the class, as they are encouraged to buy the references from the site. The idea is to give free training, and sell books that students can use to maximize those trainings. (Barnesandnoble. com, 2006) Strategic ChangeStrategic change, on the other hand, is making an improvement or modifying an existing strategy. There are different reasons why strategies are modified, the most recurrent of which is the inefficacy of a strategy. Fr om an online book shop with occasional gifts and extra items, Amazon now carries many consumer goods—from the pioneering items books, music, and movies, clothing, electronics, household items, even event registries. The strategic change was from an online bookstore into an online shopping site, yet the mission is still to bring convenience to Amazon’s consumers.(Amazon. com, 2006) Barnes&Noble has adopted a similar strategic change, but it chose to stick with the writing-reading consumers in mind. The site, apart from the B&N University which offers free courses now sells books, stationeries, pens, and other gifts that writers and readers, as well as their friends, can appreciate. There is still the occasional stray items not intended for writers or readers, like toys and playthings and outdoor equipment, but they do not affect the general feel that Barnes&Noble was created with a specific market in mind. (Barnesandnoble.com, 2006) The two organizations’ strateg y formations were different—one opted to be a store while the other started out as an online school. However, they both had readers and writers as their costumers in mind. The strategic change, however, was a little bit similar as both sites branched out to selling more than books. The strategic change differed with the type of items that each site chose to sell. In the end, Amazon and Barnes&Noble’s strategy were based on their target markets, explaining why they were similar and different in their own respects.While B&N tried to touch base with their reading and writing customers, Amazon hoped to reach not just this market, but more. References Process of Strategy Formation. (n. d. ). Strategy Formation Chapter 3, 105-162. Retrieved July 20, 2006, from http://userwww. sfsu. edu/~bheiman/DMch3. pdf#search='process%20of%20strategy%20formation' Barnesandnoble. com. (2006). Retrieved July 20, 2006, from http://www. barnesandnoble. com/index. asp? z=y Amazon. com. (2006). Retrieved July 20, 2006, from http://www. amazon. com/gp/homepage. html/ref=topnav_gw_gw/102-2681851-9996929